REVIEWS | hippo-theatre-group

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(25/11/2022)

"The performance centers on physicality and biorhythm, transformed into the Kinemo method, which the group has devised and applies consistently in their shows. "

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The City of Lost Robots

By Naya Papapanou

(November 2022)

"...Dousos and Raptis go a step further, weaving into the action concepts like solidarity, free will, and self-sacrifice..."

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Silence Speaks at Porta Theatre: the body speaks louder than words
And ultimately, what is loss?
by Eliza Soufli

(12/05/2019)

The performance Silence Speaks presents the grieving process of a person on all levels through the lens of Eastern philosophy.

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Mellonia: a theatrical cinema

By Elli Papanikolaou

(14/03/2018)

Mellonia: "A Theatrical Cinema" We Fell in Love With…

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The Case of Sleeping Beauty

By Katerina Diakoumopoulou

(18/01/2015)

"The well-structured and tightly-knit direction (by Hippo, that is, Alexis Raptis and Fotis Dousos) relies solidly on techniques of physical theatre"

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Sleeping Beauty²

By Evi Minou

(17/10/2015)

"On stage, only two actors perform, hence the squared title. These two talented performers are the production’s main expressive tool"

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Futuria and Futuristic Education

By Katerina Diakoumopoulou

(04/10/2015)

"A magnificent on-stage narrative about the Big and Small "Nos" of life, and the freedom of will"

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Sleeping Beauty²

by Ioanna Lioutsia

(26/10/2014)

"It is rare for an adult to enjoy a children's play as much as their child does. Yet, this is exactly what happens with Hippo’s productions"

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Futuria at ORA studio by Ioanna Lioutsia

(18/10/2014)

"What made the show particularly captivating was the group’s directorial cleverness and the refined, inspired movement"

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Crab and the Fox - Drama in Education Workshop

Comments from Parents

(01/09/2014)

"This was my children’s very first summer camp experience and they absolutely loved it!"

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About Karmantilos by Giorgos Lekakis

(05/08/2012)

The play’s storyline is highly inventive.
The characters are fully developed.
The plot is captivating.

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